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等待*/$方舟

等待*/$方舟

HD中字其它其它
类型科幻片
年份1985
导演皮奥特尔·舒尔金
主演耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔
更新 2024-04-09 05:13:23

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剧情简介

Se\+$t in an un.derground (-% dungeon inhabited by b!%undled, ragged human be*i]ngs ,, afte]r t*^_#h?;?*e nuclear\`+ \holo\caust`+\. Th(e story  fo/`llows th/e wanderings of a =her`(o through the s=+it`\ua,;t  i?on\/s/; of surv%#ival. ! Pe*#ople wait for the Ark to ar/`?\rive an_\_d rescue them (: wh^?ile their ;\%_habitat *falls ;apart. #  Delving deep into; the.,:. dust/-(y and long abandonded` vaults) of b$+-)cinem\,a i !n search of lost gem])-s always le^`aves me %.)with @$a bitter swee. t) ta:(!ste. /+O/n one h#and ?) the discov-:.ery^: o:;= f _.u@nexpected g-(e!?(;ms whe. re no_? one(!( \^wou(l+d thi%nk them ??possible #is a rewarding experi`@ence. O [n the other hand thou_[g?h it makes one wonde(^r how;;./ m[any *of ?/t*hese r? emarkable low#^@-budget : ;odditi=]es+,,!. %#personal love affair(\s of directo:rs_\ never quite fa]mous and now all but for!g#otten, have[ almos( t ?forever sli*`pped from m__e(]mor@`;y  :n any.? case what%/ we  ha`;v e+^ here is a little po_(st-apoc_^(aly,* ptic gem ^%f: r(.om Poland that is re*?$al$@l[@y better t@?\h!an it has any )-rig-ht to. The dyst[=-(opia+n \ near future of O-BI, O-B=$A finds a*_ grou!*\p of :,=s# /urvivors of ;the nuclea#,r war that rava((`ged t# he E=@arth inha$# ]biting an underworld +.?concret$+e bunk-er and bi-`%di!^n;*g their/) time@-^ as they wait fo@r the my/st\(erious Ark, an air ship of (?some kind tha.-t will come and sa? \]ve t^.:[hem. The\  Ark proves t+@o be an ;;e_]`)labor+,ate ho%ax, careful[ly designed to gi*ve ho$ pe to the malnour+?=,%ished an(d desper*(;ate deniz)..=ens -+?of th%?e bunker,% while !in the ?@me (antime the d_ome / +- t`hat separates t+`heir miserable exi stence @fro^`#^m the  n-@uclea .@r :  winter ou-tside is slowly-;^ ca:]v*_ing ;-/in.  What first st_.riked m\e ab)$;ou[!t the!. movi?e is the design o!%f the bunker and@ the dep*#iction of t[\+he survivors. The survi=@vor s are @[ga]unt, filthy and t?_@e?%rrible:-looking+ p_%enitents, dressed i;.#n rags and aimlessly  wandering[; t)he neon-lit halls of th)%?;+e^ bun)ker  like automatons. The bunke+?r is a rundown, seedy p[;lace, with brig%ht neon: ; lights p (ee=ring from all si` des/ like the eye_ ;s of ma]!:lig./nant beasts.!]  On one ha%^nd it =i.s ;a slightly 80's ! :/depi?ction-! of\ the dystopian future `but the movie never ?[[s$:toops down to ^__ MAD^ MAX,?_? chees(*#@e. In+ stead it combines bitin;[g`^ politica)[l satire wi @th the ble`]$ak outlook of a world with no future, black! co medy ,with$[ barbs on apath:`y, ;reli!gion `^and powe#=r`+. Th^e survivor,[s, f#)or exa?+mp+:le, are fed s/om\ e ,?kind of- flour dro.?pping from a tube that hov!^ers i` n the,) air - later on _!w*.e dis \cover t[he fo(=% od superv `+is_,or uses books and )the Bib\,le :itself as fi(ller f-or `!;t%(*his m_eagre m\$eal. /+There]*` are many such short symbolic touc; hes, perhaps: not _@li`-%f`!/e-c( hanging or ^:faith-restorin_;g, ye`t pla$:yfu+?l, c)@lever and ^)inspired.  One thing is for s-ure;= O-BI), O-BA is no%]t your run-of-t/ h$`e-mi`ll sci-fi sc)hlo`ck.; ) It overcomes it]..s` modes#t budge`\t +(w,]ith creat)iv-@_%it]$y an\d ha#@/:s genuin\ e= $arti=.stic aspir=,ations: both$ fro :_m a writ)ing and directi# (,ng perspective. My o_pinion is that i?t sh$ould ]have  been filmed in black and whi?te@  in:stea/d o-f colour] [ thoug?h. The @+-d^/ir*ecto\\r us !es atm?%ospheri* c light and sha%?do;.w to g;]re +at *$-effect  and ^$,i+;t wou/l*(d have reg#/istered even b=e]tter in st+$+a-$)rk b^lack a+] )n #d white.)) The blue-gr.`een neon /@o^n+) the othe@!=r ha_nd o? =utstays%) its welcome:, after a whi:`le. Jus t a !;minor g)$ rip-e in an otherwise solid [ b-movie with its@*_! _ heart /set /in #]=all t_he ri;g+ht places.  Imagine a less bleak THE ROAD=$, (Corm$!@ac ]@McC?arthy) be!=ing i=njected w?i*th the satire). and )h,um;?our of DR.STRANGELOVE a;nd you're gett!i ng the/re `. See \^it if you c$_an f!ind it.

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