剧情简介

Wunder der Schö-pfu*ng i)s an extraordinary, fascinating K\\ul=turfilm trying to= ex\.plain the whole hu
man know-$:ledge ;,of the _1*920s a^bout the wo=$rld a; nd the/([ ,)*universe. 15 spe/cial e;
ffects exp(er*=/:ts .#and 9 cameram)en were involved in the p]r: oducti/#;*on of this-= f]!ilm which combine;s documenta#
]ry scenes, his,torical do)$cuments, fiction-  elements, a// nimation /-scenes a.nd educa:+tional impact. ^It its bea+?`utifully colored,
%using@ tinti:ng/! a! nd toning  ,/in a very e`labo##ra,)ted way. S/
#ome visual ideas in the seq` uenc!es with a _space shut;^
 tle visiting different pla*:nets i-\-n the un[[+iver?-@se!@ seem to)=) hav__e to be the inspirati

on$)? for Stanl
ey ![$),Kubric]k's 20+01 A Space Odyssey.　　In the context of Germany '/#s Kulturf\[ilm phe
; nomenon, Wun[d!%;er der Schöpf! ung was am;? *ong the gr-ea*test ac_/hi= e*
.v\(eme !.n-*+ts-\% of the?,; 192+0s(. The? product_ion was =con;=struct ^ed, ^.rehearsed=?,#)@ an d) shot over !a pe) riod of two:* and] a half#? year$s, under t=]he su;^pervisi on/
? of (#\H %anns Walter Kornblum. Th)@e idea to ;describe the universe an*d man's ) pl=ace*]?) in it wel?l suit!ed U_-FA's Grossfi/lm mentali#ty, _.\on+,e =[year befo?. r$?e the .M`etropolis catastrophe. Hundr*eds of\. skilled`#^ cra\.)ftsm \en pa? _r@ticipat$!]ed$ #_i-n?( the proj*=ect, bui+ *ldin(^g props and co, nst. 
ruct.:#ing scale %models dr`aw n by 1\%5 spe:c/i al effec
%ts dr%$!au*.+gh-tsmen, while 9 /cameramen i.n separate u*%-`nits worke]]d on the histor$_ical, d% ocume][ntar;\y, ficti%on, )@ani]/mation, an*d scien=ce- fiction seque(nces. Wit$[hout star roles o?;r eve
n protago:nists, + the film's plot[) $%is crowded wi!t+*h met ic:!ulously\/] s.)tructur-ed and sk$i`llfully ac@-ted sin :g)(le sc(\,enes a n 
[@artful mosaic of sm/*all vignettes. No `+less than fo$` u#=r cr^[=ed%@ited u:$?niver,si._ty p%r]ofessors en*=[sured+ th,e]_$?= factual*=` background behind t?h^: )e ]scientif ic a;#nd historical$: !`e]v`ents p?$?*ortrayed.　　Th)) e fi:/lm's #sy%.mbol of pr_^+ogress and the new scie$ntific era is a^- spa cec/=raft, travel[lin.=g through /`.t; he *Milk)(y W(,$*ay, :)maki]ng all the planets an`d ].t[heir inspiring worlds fa[miliar /\t$\o u;([s, with t@[he ext $ravag(anza of th
eir distinctive features.`[ The film'$s )e ducatio)%nal intenti@o=.ns, however, become;=^$ st  eadily^ more obscure, humorous, or e
.ven] campy as ``this p-#`#opulari@
zati?o$:n project _p;*,roceeds. With the e!@xcus/:e o_]+f presenting t?he end . o!
,)f t
he world a/^=  not-so-=@ne)w con (cept as? a new, unde n#?iably scientific tr:;uth, th,e fil!+)m veers happily along a new path, displaying d%!et
_\#ailed a`pocal!yptic scene-s #of the end of manki(,nd. ,For to]d[?ay+.'s:!% audienc\es, this amazing film demonstrates how the universe was c]+omprehe^ nde_ d $[in the 1920s, and]#% ho*`w^
 th^at view*#? was s]ol/d to +)conte =;mporary au`d+i@?en#:ces.